"It has moments of meditative beauty, especially in a love duet for Mr. Fontana and Ms. Davis.” - New York Times
"Elizabeth A. Davis is alluring" - AM New York
“Elizabeth A. Davis brings a haunting urgency to the role, and to Duncan Sheik’s original music.” -The New Yorker
"The production is led by a future star, the elegant and willowy Elizabeth A. Davis" - Cleveland Plain Dealer
“Ms. Davis, so magnetic in “Once,” portrays Jane vividly. Her sharp, fine features throw her character’s anguish into high relief, even as Jane is unable to articulate its cause or remedy.” -New York Times
"a finely callibrated, unsentimental and touching portrayl of the poet by Elizabeth A. Davis." - Blogcritic
“Imagine a show tune-laden Thornton Wilder play with a well chosen cast, and director John Doyle’s arresting choices.” -Entertainment Weekly
“Elizabeth A. Davis brings an unexpected level of depth as Joseph’s aspiring wife Jenny...” -AM New York
“Jenny (Elizabeth A. Davis) is like Lady Macbeth…As portrayed by Davis, she has an icy gaze that makes the white walkers of Game of Thrones seem like cuddly teddy bears.” -TheatreMania
“Elizabeth A. Davis possess a fragile intensity as Judith.” -New York Times
"...turns in a superb supporting performance. Davis, with her ethereally pale face brings a fierce passion to her role as Sister James. ...Davis brings an emotional honesty to her role that is crucial." – Naples Daily News
“The Devil’s Disciple is a revival so entertaining you’ll go home asking yourself why it isn’t a summer festival staple…with a beautiful damsel in distress, Elizabeth A. Davis.” -The Wall Street Journal
“Elizabeth A. Davis is a wide-eyed delight as Judith.” -Curtain Up Review
“Elizabeth A. Davis, Tony-nominated for her work in ONCE on Broadway, has the tricky role of “Judith,” who can appear silly and unsympathetic if not handled with care. Fortunately, Davis is able to communicate the internal turmoil of a good woman tempted by possibilities” -The Daily Record
"The other fine performances, Elizabeth A. Davis, captures the little-girl loneliness and winsome sexuality of Curley's wife."
- Backstage
The two discover passionate romances: Niko with a beautiful young widow, the heartbreakingly vulnerable Elizabeth A. Davis. - -TheatreMania
Elizabeth A. Davis is haunting, as always, as the horrifically-abused widow. - Newsday
"Elizabeth A. Davis' Puck is one for the ages: sinuous, fey, and apparently made of rubber; athletic, cartwheeling back and forth..." "In Triumph of Love, Davis holds the entire construction together masterfully as Princess Leonide, her strong, eloquent voice and every inch of her small, slender frame utterly committed to the truth of whatever impersonation her character must try next. She is both oak and quicksilver." - Cleveland Plain Dealer
Niko falls in love with a smoldering young widow, lovely Elizabeth A. Davis. - DEADLINE
“Celimene may not have so lovely a heart, but she is physically stunning. Monte has found an elegant beauty in Elizabeth A. Davis, a porcelain figurine come to life.” -Star Ledge
“Elizabeth A. Davis never lets her delicate beauty compromise her gift for being subtly and subversively droll” -Curtain Up Review
Davis is the deeply sympathetic Grusha…” -The Hollywood Reporter
“Ms. Davis, a Tony nominee for ’Once’, brings a soft truculence to her performance; Ms. Davis sings with a dark, soulful intensity in a steel-edged voice that feels right both for Brecht and the moody rock musical of Mr. Duncan Sheik….” -New York Times
“But the sweetheart of this company is Elizabeth A. Davis. Davis wraps loving arms around the role… slight frame and delicate soprano suggest that the innocent young girl she plays might be too fragile to survive the trials that are in store for her in this dark folk tale…Davis makes sure that this frail girl also has a strong backbone” - Variety
“Brecht brings a little lump in the throat, thanks to Elizabeth A. Davis’ key performance in this accessible revival at Classic Stage Company…Davis, Tony-nominated for “Once,” gives a frank, frill-free turn, making it easy to pull for her.” -New York Daily News
"Fragile, statuesque, and a vision, Davis is a Royal Dalton figurine come to life... a splendidly modulated performance." - Theatre News Online
"But one significant earlier oversight (to my earlier review) was Elizabeth A. Davis. Not only is she a kickass violinist, she brings a sexy spark and an invigorating shot of danger to Reza, another Czech transplant” -The Hollywood Reporter
“It’s no small thing to stay flawlessly on pitch in mid-leap, especially if you’re on fiddle or cello; yet Elizabeth A. Davis… do(es) just that, again and again.” -Vulture
“Elizabeth Davis is a luminous performer, and makes Jane compelling from the very outset. The audience hangs on her every word… Davis is a gift to Tierney-Keogh, whose writing is beautiful moment-to-moment…” -Show Business Weekly